Barbican revamp to give ‘bewildering’ arts centre a new lease of life

Project will make the famously confusing London landmark easier to navigate and more accessible“Everything leaks,” says Philippa Simpson, the director of buildings and renewal at the Barbican, who is standing outside the venue’s lakeside area and inspecting the tired-looking tiles beneath her feet.Water seeps through the cracks into the building below and serves as a reminder of the job facing Simpson and the team who are overhauling the 43-year-old landmark.The first phase of the project will cost £231m, and Simpson – who did a similar, if less daunting, job for the Young V&A in east London – hopes it will be finished in time for the 50th anniversary in 2032. The overall bill is estimated to be £451m.A mammoth task awaits her

A minimalist statement or just Pantonedeaf? ‘Cloud dancer’ shade of white named Pantone’s 2026 colour of the year

Hi, Emma! I’m so pumped to find out what colour 2026 is going to be. Fill me in!Brace yourself, Nick. Every year since 1999 Pantone chooses a colour for the year, a representation of the zeitgeist – from how we’re feeling to what we’re wearing, how we’re styling our homes and even our eyebrows. Last year’s was the darker shade of beige “mocha mousse”, the year before that was the soft, warm “peach fuzz”.This year’s pick is even more baffling

‘Astonishing’: how Stanley Baxter’s TV extravaganzas reached 20 million

The description “special” is overused in television schedules; Stanley Baxter’s programmes justify it. The comedian is one of the few stars whose reputation rests on a handful of astonishing one-offs – standalone comic extravaganzas screened in the 1970s and 1980s, first by ITV’s London Weekend Television and then the BBC.In both cases, the networks ended their associations with Baxter not because of lack of audience interest – at their peak, the shows reached more than 20 million viewers – but due to the colossal costs demanded by the performer’s vast and perfectionist visual ambition. One of Baxter’s favourite conceits was to re-create, in witty pastiche, scenes from big-budget Hollywood movies that made it look as if his versions had also spent millions of dollars.Cashflow was further stretched by the fact that Baxter played multiple roles – 18 of them in one sketch

The world’s most sublime dinner set – for 2,000 guests! Hyakkō: 100+ Makers from Japan review

Japan House, LondonThe fruit of a two-year odyssey through the workshops of artisans using ancient techniques, this delightful show features rippling chestnut trays, exquisitely turned kettles and vessels crafted from petrified leatherAs a retort to the doom-mongering prognostications of AI’s dominance over human creativity, it is momentarily comforting to tally up the things it cannot do. It cannot throw a pot, blow glass, beat metal, weave bamboo or turn wood. Perhaps, when it has assumed absolute control of human consciousness and the machinery of mass production, it will be able to. But for now, throwing a vessel and weighing its heft in your hand, or carving a tray and sizing up its form with your eye are still the preserve of skilled craftspeople, using techniques their distant ancestors would recognise.On show at London’s Japan House is the work of more than 100 pairs of eyes and hands, constituting an overwhelming profusion of human creativity, corralled into an exhibition of laconic simplicity

‘True activism has to cost you something’: Bridgerton’s Nicola Coughlan on politics, paparazzi and parasocial fandom

Back in 2008, when Nicola Coughlan was at drama school, a guy in her class swaggered over and, with all the brimming confidence of young men in the noughties, asked her, “Do the Irish think the English are really cool?” Coughlan, born in Galway, mimes processing the question. “Well,” she said, “it’s quite complicated. Like, there’s a lot of history there, between the two countries. Like, there’s a lot going on.”The Guardian’s journalism is independent

Barbican to close its doors for a year for multimillion-pound renovation

The Barbican will close its doors for 12 months from June 2028 as it undergoes a multimillion-pound renovation that its leaders say will secure its future.The arts organisation’s Beech Street cinemas will remain open but its theatre, music venue, conservatory and visual arts galleries are set to shutter as the overhaul of the 43-year-old building begins in the lead-up to its 50th anniversary in 2032.The main Barbican site will close its doors in June 2028 and reopen in June 2029, but some disruption will happen before that as the foyer, lakeside area and internal control room are all renovated.The conservatory, which is open only for a few hours at the weekend and currently has netting to stop falling glass, will close earlier, in 2027.Philippa Simpson, the director of buildings and renewal at the Barbican, said the work could not be completed while the site was open to the public as it would be too dangerous, but that it was essential to secure the site’s future