‘Pain is a violent lover’: Daisy Lafarge on the paintings she made when floored with agony

Daisy Lafarge was lying on the floor in excruciating pain when she started her latest paintings. A severe injury, coupled with a sudden worsening of her health, had left her unable to sit upright, while brain fog and fatigue made reading and writing impossible. So the award-winning novelist and poet fell back on her art school training, using the energy and materials she had to hand to create impressionistic paintings of her surroundings – her cat Uisce, her boyfriend’s PlayStation controller – alongside unsettling imagery of enclosed gardens and flowers decaying.“Making the paintings was a way of coexisting with pain,” says the 34-year-old. “I was on my living room floor in agony for a few hours, but I wanted to get something out of that time

From Dorset to the world: wave of donations helps to secure Cerne giant’s home

It feels like a very British monument: a huge chalk figure carved into a steep Dorset hillside that for centuries has intrigued lovers of English folklore and legend. But an appeal to raise money to help protect the Cerne giant – and the wildlife that shares the landscape it towers over – has shown that its allure stretches far beyond the UK.The Guardian’s journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more

‘We put a stink bomb in Stephen Fry’s shoe’: Vic and Bob on the inspired idiocy of Shooting Stars

‘Christians complained about the stuffed buzzard wearing a crucifix round its neck. Birds can’t be Christians, they said. It’s the most complaints we ever got’The first time I saw what was to become Shooting Stars was Vic Reeves – AKA Jim Moir – doing The Big Quiz during Vic Reeves Big Night Out live. I’d never seen anything like it. It was full of meaningless questions and had an attitude

Sydney Biennale 2026: Hoor Al Qasimi unveils expansive program for 25th edition

The Biennale of Sydney has revealed the final lineup details for its 25th edition, scheduled to open mid-March across five key venues, including White Bay Power Station, the Art Gallery of New South Wales and Penrith Regional Gallery.Featuring 83 artists, collaborations and collectives from 37 countries including Australia, the 25th Biennale of Sydney is titled “Rememory” – after the term coined by author Toni Morrison – and will “[explore] the intersection of memory and history as a means of revisiting, reconstructing, and reclaiming histories”.It represents the vision of artistic director Hoor Al Qasimi, the first Arab appointed to the role and the eighth woman in the festival’s 53-year history.Highlights announced on Tuesday include a giant functioning clay oven at White Bay Power Station in Rozelle, created by Argentinian sculptor Gabriel Chaile, which will be activated for the Biennale’s opening weekend and at key moments through the festival to serve visitors Peruvian cuisine. Also for food lovers is a large vat of tabbouleh, created by Lebanese artist Mounira Al Solh as part of a community-based performance in Granville

Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2

The first full-length trailer for The Devil Wears Prada 2 has been released, and given more details on David Frankel’s hotly anticipated follow-up. In the promo, Meryl Streep’s Miranda Priestly and her right-hand man Nigel, played by Stanley Tucci, are seen reuniting with Anne Hathaway’s Andy and, later, Emily Blunt’s Emily.Priestly remembers neither, nor even her habit of referring to all her fashion magazine assistants as Emily – presumably on account of her withering alpha-editor status rather than, say, dementia.The film’s teaser trailer, which was released in November, was reportedly the most-viewed comedy trailer in 15 years, with 181.5m views on YouTube in its first 24 hours

Letter: Mark Fisher obituary

In his fat 2004 volume Britain’s Best Museums and Galleries, the former arts minister Mark Fisher displayed great enthusiasm and knowledge, dating from museum visits with his father when he was very young. I greatly enjoyed working with him when he was a well-informed commissioner and I was deputy director of the Museums & Galleries Commission.We shared common ground in that I grew up in Stoke-on-Trent, Staffordshire, where he was an MP for from 1983 to 2010. Members of my family have been involved in heritage projects for many years, from museums and historic houses to oatcakes and bottle ovens, and with their advice he was able to intervene quietly and helpfully from time to time in such matters in the city.