Gatz review – the Great Gatsby performed in eight and a half hours of attentive, immersive joy

A man enters his office in the morning, finds his computer on the fritz and, after a few attempts to turn it on and off again, comes across a copy of F Scott Fitzgerald’s 1925 novel The Great Gatsby. So he starts to read and when his colleagues enter they find themselves taking on the characters, and soon the novel unfolds around us, word by word. The New York theatre company Elevator Repair Service has produced a work that is not quite adaptation – given it doesn’t really adapt the novel at all – but that is utterly transfixing nonetheless.Following a keen interest in non-dramatic texts, the company wanted to see what would happen when a powerful literary work was read and performed in its entirety. The result is both strange and strangely familiar

How to Make a Killing to Wu-Tang Clan: your complete entertainment guide to the week ahead

Glen Powell indulges in some murder most profitable, and the influential rap collective arrive in the UK complete with a clutch of peerless classicsHow to Make a KillingOut nowLoosely inspired by the much-loved Ealing comedy Kind Hearts and Coronets, here is a dark comedy that sees Glen Powell play an upwardly mobile schemer who isn’t afraid to murder his way to his inheritance. Directed by John Patton Ford (Emily the Criminal).Reminders of HimOut nowMaika Monroe (It Follows) stars as a woman who goes to prison following a car accident in which her boyfriend (Rudy Pankow) is killed. On release, she finds herself drawn to a handsome local bar owner (Tyriq Withers). Romance based on the bestselling Colleen Hoover novel

The Guide #234: Five big questions before the 2026 Oscars

Happy Oscars Eve eve to you all. The film industry’s glitziest night takes place on Sunday, at an ungodly hour for those of us covering it from the other side of the Atlantic. Coffee will be essential for anyone staying up, as will the Guardian’s annual liveblog, covering every last minute of the ceremony as well as its red carpet run-up. Head over to the homepage on Sunday evening for that, plus news and commentary on the night’s events.There’s plenty to read before that too: our annual Oscar hustings, making the case for each of this year’s best picture nominees (I sided with Sentimental Value); an interview with Academy top dog Bill Kramer; a piece on the increasingly toxic discourse around many of this year’s nominees; and Guardian film editor Catherine Shoard’s reader Q&A on this year’s race and the state of film in general

Jimmy Kimmel on Trump being gifted an Olympic medal: ‘Yet another award he didn’t win’

On Thursday night, late-night hosts discussed an odd White House women’s history month event, the fallout of the war on Iran and why Melania Trump is starting to sound an awful lot like her husband.Jimmy Kimmel spent a chunk of his Thursday night monologue on a White House women’s history month fundraiser hosted by Donald Trump. As part of the event, Melania Trump gave an extended introduction to the president.“You know how some couples as they get older start to sound alike?” asked Kimmel. “Well, while introducing her husband, Melania had an awful lot of nice things to say about herself

Seth Meyers on Pete Hegseth: ‘The face of a man war-fighting with his colon’

Late-night hosts dug into the Trump administration’s vague intentions for the war in Iran, the conflict’s oil-price effect and a Maga rally in Kentucky with Jake Paul.On Late Night, Seth Meyers checked in on Donald Trump’s now two-week-old war in Iran. “The president is maybe sort of threatening/teasing that he might put boots on the ground in Iran? But Republicans can’t seem to agree on whether they support that idea, or for how long, or why,” he explained.The confusion comes from the top: Pete Hegseth, the “defense secretary/morning show host/fifth-year senior who just found out that yeah, he’s gonna need to do a sixth year” who made a big deal about turning the defense department into “the department of war” and “refocusing on the core mission: war fighting”.“And before we go any further: was there a problem with the term ‘warfare’?” Meyers wondered

Sydney Biennale 2026: politics is everywhere – but with nuance, beauty and heart

According to its critics, this year’s Biennale of Sydney, under the leadership of Emirati artistic director Hoor Al Qasimi (the first Arab appointed to the role in the festival’s 53-year history) was destined to be a “hate Israel jamboree” at worst; a hotbed of pro-Palestinian politics at best. These fears – which appear to have originated from pro-Palestine statements Al Qasimi and her parents made in the past – are not borne out by the festival itself, which opens this weekend across five key venues, spanning from the inner city out to Penrith and Campbelltown.In an unusual move for the biennale, Al Qasimi wasn’t present at the vernissage – but with or without her, the resulting festival, the event’s 25th, is complex and nuanced. It’s light on spectacle and slogans; not a political chant but rather a polyphony of voices – more than 80 artists from 37 countries – singing their own songs. The theme, “Rememory” – taken from Toni Morrison’s novel Beloved – is reflected in works that look to the past to find answers to present dilemmas and envision better futures