Parents ‘don’t use’ parental controls on Facebook and Instagram, says Nick Clegg

September122024
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Parents do not use parental controls on Facebook and Instagram, according to Meta’s Nick Clegg, with adults failing to embrace the 50 child safety tools the company has introduced in recent years.Meta’s global affairs chief said there was a “behavioural issue” around using the tools, after admitting they were being ignored by parents.Regulatory pressure is building on tech companies to protect children from harmful content, with the Australian government announcing plans this week to ban younger teenagers from accessing social media.Speaking at an event hosted by Chatham House in London, Clegg said parents were not using controls that allowed them to set time limits and schedule viewing breaks.“One of the things we do find … is that even when we build these controls, parents don’t use them,” he said.

“So we have a bit of a behavioural issue, which is: we as an engineering company might build these things, and then we say at events like this: ‘Oh, we’ve given parents choices to restrict the amount of time kids are [online]’ – parents don’t use it,”Clegg, a former UK deputy prime minister, said evidence suggested Meta’s apps provided a positive experience for the “overwhelming majority of young people”,However, testimony in 2021 from a company whistleblower, Frances Haugen, accused the Facebook and Instagram owner of putting profit before safety, while safeguarding problems on Instagram were highlighted by the 2022 inquest into the death of the UK teenager Molly Russell, who took her own life after viewing harmful content,In the UK, the Online Safety Act has been introduced and imposes specific requirements on social media companies to shield children from harmful content,The issue remains high on the agenda for many governments including in Australia, where the prime minister, Anthony Albanese, has announced plans to block children from social media and other digital platforms unless they are over a certain age – likely to be between 14 and 16.

Asked if Meta would enforce such a ban, Clegg said the company would “of course” abide by it, but warned it would be difficult to implement and would require the cooperation of the Google and Apple app stores.Andy Burrows, the chief executive of the Molly Rose Foundation, a charity set up by Russell’s family, said: “Nick Clegg would do a service to children’s safety by stopping passing the buck and starting to take responsibility for the preventable harm caused by Meta’s choices.”Clegg also addressed the controversy over Elon Musk’s X platform, which he said had been turned, under the Tesla CEO’s ownership, into a “one-man sort of hyper-partisan, ideological hobby-horse”.Sign up to TechScapeA weekly dive in to how technology is shaping our livesafter newsletter promotionClegg said X and the messaging app Telegram had allowed far-right figures such as Tommy Robinson, whose real name is Stephen Yaxley-Lennon, and the misogynist influencer Andrew Tate to “run amok” online in the wake of the UK riots related to the Southport murders, after they had been banned from Meta platforms.He added that X was a small platform “for elites”.

“I think it’s a tiny, elite, news-obsessed, politics-obsessed app,The vast, vast, vast majority of people join Facebook and Instagram for much more playful reasons,” Clegg said,
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Trent Dalton’s Love Stories review – a stage adaptation that grabs you by the heart

Queensland Performing Arts Centre (QPAC), BrisbaneFrom the team that brought Boy Swallows Universe to the theatre comes a new work that tells a city’s worth of stories – and packs an emotional punchFor two months during the pandemic, the Australian author Trent Dalton lugged a sky blue 1960s Olivetti typewriter to a busy Brisbane street corner and invited strangers to tell him a love story. A sentimental, slightly absurd stunt – and one that could have gone very wrong. But Dalton, ever the charmer, has a way of finding the extraordinary in the everyday.The result was Love Stories, a book brimming with intimate confessions, grand gestures and all the messy business of being human. Now, in a stage adaptation for Queensland Performing Arts Centre, adapted by Tim McGarry and directed by Sam Strong, those stories don’t just leap from the page – they explode with theatrical spectacle

September172024
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Intrigue, desire … and awful landlords: why queer authors are suddenly writing about houses

‘I think it’s an investigation of belonging – one that we didn’t have a literal space for before.”I’m on the phone with the novelist Yael van der Wouden, conferring with her about a recent trend in LGBTQ+ writing: a preoccupation with houses. I figured she would be a good person to talk to because her new novel The Safekeep centres on a lonely old house in the Dutch countryside that suddenly, one summer, is flooded with queer desire and intrigue. The problem is that the Booker-shortlisted author is talking to me in transit, touring Europe, at this moment on a train rattling across northern Italy. Reader, witness the irony of our discussing ideas of rootedness and belonging as Van der Wouden keeps getting ousted from her seat

September162024
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Fifteen architecture firms shortlisted for NSW competition aimed at alleviating housing crisis

More than a dozen architecture firms from across Australia and overseas will vie to design homes for five Sydney sites set aside by the New South Wales government to help alleviate the state’s housing crisis.The 15 finalists in the government’s pattern book design competition were announced on Monday, culled from the portfolios and expressions of interest of more than 200 entries.Although pattern books to build mass housing have been sporadically used since colonial times, this is the first time the NSW government and not private enterprise has been the instigator. The idea behind a pattern book for building is to provide a fast track for construction by pre-approving selected designs, thereby cutting through red tape and lengthy development applications.After submitting site-specific designs in October, five winners will be selected to build their low- and medium-rise designs across the five metropolitan sites, of which only one has so far been revealed – Sydney Olympic Park

September162024
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Last surviver of the Bloomsbury Group? Meet David ‘Bunny’ Garnett, 1972

In 1972, the Observer encountered one of a near-extinct species: Bloomsbury Group survivor writer David ‘Bunny’ Garnett, nearly perishing in the process, thanks to Garnett’s hair-raising driving. ‘“You drive with great imagination,” I said faintly,’ journalist Ruth Hall reported when Garnett collected her for an overnight stay at his cobwebby, dead-fly-infested French farmhouse.It’s a funny, affectionate portrait of a man who ‘retains an incredible “niceness” – there is no other word for it’. Beret-clad Garnett, then 80, was an attentive if eccentric host, frying potatoes, stoking the fire and plying Hall with walnut cake and a bespoke hotwater bottle fashioned from a beer bottle. He was modestly embarrassed to be interviewed, offering an alternative: ‘I’ve prepared a List of the Best and Worst Things in Life

September152024
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On my radar: Mo Gilligan’s cultural highlights

Born in south London in 1988, the comedian and TV presenter Mo Gilligan started doing standup aged 19 and attracted wider attention with a series of viral sketches on YouTube. That landed him a co-hosting gig on The Big Narstie Show on Channel 4, followed by The Lateish Show With Mo Gilligan, for which he won Baftas in 2020 and 2022. He has also appeared as a judge on The Masked Singer UK. Gilligan, who lives in London, has just launched a podcast called Beginning, Middle and End, and he is currently touring the UK.Track Record: Me, Music and the War on Blackness by George the PoetI started reading this on tour and I felt like it was speaking directly to me

September142024
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Trust hopes to turn William Blake’s cottage into a museum

In the early months of 1800, while living in Lambeth, William Blake found himself at the bottom of a “deep pit of melancholy, melancholy without any reason for it”.A change of environment was imperative. So when landed gentleman and patron of the arts William Hayley invited Blake to spend a few days on the Sussex coast, the poet, painter and printmaker agreed, hoping the sea breeze would raise his spirits and stimulate his imagination.Blake and his wife, Catherine, rented a 17th-century cottage in Felpham, a small country village with a population of 500 inhabitants, where they lived for three years until 1803. It was here that Blake wrote his epic poem Milton, the preface to which was set to music and became the hymn Jerusalem, considered to be an alternative English national anthem

September142024