Far-right links and Putin praise: fears over £600m UK history theme park plan
Nine working-class creatives on class in the arts – and how they made it
British artists have said the UK’s unique cultural output is under threat unless more is done to improve access to their industries, after analysis showed that almost a third of major arts leaders were privately educated. The Guardian spoke to visual artists, directors, classical musicians and playwrights about their views on class and the arts, and how they got managed to get established.“We have to get around the instinctive reaction to working-class accents a lot of people have, which is that this is somebody who’s either funny or dangerous. We as writers and producers and directors can help by not slipping into that – so that if we want a quick shorthand for ‘this person is dangerous’, we give them a broad working-class accent. Or ‘this person is going to say funny, stupid things’, we give them a working-class accent again
Working-class creatives don’t stand a chance in UK today, leading artists warn
Artists, directors and actors have raised the alarm about what they describe as a rigged system preventing working-class talent thriving in their industries after analysis showed almost a third of major arts leaders were educated privately.The creator of Peaky Blinders, Steven Knight, the director Shane Meadows and the Turner prize winner Jesse Darling were among those who spoke to the Guardian about what was described as a crisis facing the sector.They spoke after a Guardian survey of the 50 organisations that receive the most Arts Council England funding revealed a disproportionate number of leadership roles were occupied by people who were educated privately and those who went to the universities of Oxford or Cambridge.Almost a third (30%) of artistic directors and other creative leaders were educated privately compared with a national average of 7%. More than a third (36%) of the organisations’ chief executives or other executive directors went to private schools
The Guide #179: How National Theatre Live brought the magic of the stage to the cinema
Last month I went to the National Theatre to catch The Importance of Being Earnest, Oscar Wilde’s campy, farcical comedy. But unlike other theatre visits, this time I was surrounded by a number of large cameras.This was not due to some crisis in audience etiquette, but because I was watching the live-capture of the onstage performance. As I was enjoying Ncuti Gatwa’s Algernon pretending to play piano in a dazzling hot-pink dress, production teams in a number of trucks outside were frantically working to ensure the performance would be optimised for cinema screens across the world.This is, of course, the great operation of National Theatre Live
Who is ‘working class’ and why does it matter in the arts?
In recent years, a string of academic reports have shown in stark terms just how elitist the arts have become over the last four decades. The proportion of working-class actors, musicians and writers has shrunk by half since the 1970s, according to one piece of research, while another study found fewer than one in 10 arts workers in the UK had working-class roots.Sutton Trust research released last year found the creative industries were dominated by people from the most affluent backgrounds, which it defined as those from “upper middle-class backgrounds”, while a Netflix report claimed working-class parents did not see film and TV as a viable career for their children.Guardian analysis has found that almost a third (30%) of artistic directors and other creative leaders were privately educated, compared with a national average of just 7%. More than a third (36%) of the organisations’ chief executives or other executive directors went to private schools
Noel Clarke loses appeal court challenge that could have delayed Guardian libel trial
Noel Clarke has suffered a legal setback in his lawsuit against the Guardian after the court of appeal rejected his 11th-hour attempt to add a “conspiracy” claim to his lawsuit, which could have delayed the start of the libel trial.The claim would have involved adding six co-defendants to the case before the trial.Clarke’s lawyers argued they had been unfairly prejudiced by a high court decision last month to postpone the legal application to avoid a delay to the trial.In a unanimous judgment on Friday, three appeal court judges supported the decision by the trial judge, Mrs Justice Steyn.Lord Justice Warby, who wrote the lead opinion, concluded the trial judge’s approach was “fair and her procedural assessments were all legitimate”
Stephen Colbert on Trump: ‘With this guy, every troll is a trial balloon’
The Late Show host delves into New York City’s congestion pricing and Bigfoot maybe becoming California’s official state cryptid.On Thursday evening, Stephen Colbert took on a topic close to his professional home at New York’s Ed Sullivan theater: congestion pricing, a toll on most vehicles entering Manhattan’s central business district between 5am and 9pm to cut traffic and emissions.The new tax was introduced at the beginning of this year, “and it’s working”, Colbert explained, as January saw a 7.9% reduction in traffic, and the governor’s office noted that foot traffic to local businesses spiked. “Or, as the New York Times put it, ‘Ay! People are walking here!’” Colbert joked
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