Lisa Nandy vows to bulldoze barriers in arts and turbocharge growth

Arts and the creative industries will be a key part of the UK government’s drive for economic growth, the culture secretary, Lisa Nandy, has said as she promised to “bulldoze” barriers that hold back potential.Nandy gave a speech in Gateshead where she vowed to “turbocharge” the nation’s creative industries, whether film, television, music, fashion, theatre or video games.She was speaking on Friday at the first Creative Industries Growth Summit, where audience members included bosses from companies such as Netflix and Spotify and leaders of publicly funded arts organisations including the V&A and the Edinburgh international festival.Nandy accused previous Conservative governments of not appreciating and “underpricing” the economic value of arts and culture.She said: “Every government has understood the cultural value of the creative industries

Seth Meyers on Pete Hegseth’s confirmation hearing: ‘A test to see how loyal Republicans will be’

Late-night hosts talk Donald Trump’s inauguration guests and Pete Hegseth’s contentious Senate confirmation hearing for secretary of defense.On Wednesday evening, Seth Meyers recapped a tough day on Capitol Hill for Trump’s secretary of defense nominee, Pete Hegseth – the former Fox & Friends Weekend host many have dismissed as unqualified – who once, as the Late Night host recalled, accidentally threw an axe at passersby in Manhattan.“Unless four Republican senators vote against him, which they almost certainly won’t, that guy will lead the most powerful military in the world – a military that will hopefully institute a policy for their own safety called Don’t Axe, Don’t Tell,” Meyers quipped.“The same Maga movement that claims to be anti-war is very much pro-Hegseth,” he noted, even as Hegseth refused to say that he would not work for the defense industry after he leaves the Pentagon, despite barring generals from doing the same.“Hegseth’s rule is that generals should not be able to work for the defense industry, but he should be able to cash in immediately when he wants to,” said Meyers, “although he might have some trouble getting a corporate job given his prior management record”

Simón Bolívar Symphony Orchestra/Dudamel review – epic Mahler is exhilarating but overwhelming

Say what you will about El Sistema (and controversies continue over the political status and inner workings of the 50-year-old youth music programme), but one thing remains unequivocal: the ferocious energy of its flagship Simón Bolívar Symphony Orchestra of Venezuela. For the first of two performances at Barbican as part of an anniversary European tour with its music director Gustavo Dudamel, the stage was as packed as the auditorium. Mahler’s Symphony No 3 is his longest work, scored for a massive orchestra and its musical ambitions sprawl weightily.In the orchestra’s hands, the score quivered and growled from the get-go. The string sound was almost airless in its density

‘The loom has a beauty and rhythm’: textile artist Diedrick Brackens on making poetry out of yarn

It is tempting to see it as a happy ending. In Diedrick Brackens’s Towards the greenest place on earth, two Black men in the artist’s signature silhouette form throw an arm about each other’s waists, while holding opposite ends of a broom. Perhaps they’re about to enact the wedding folk ritual and jump backwards over the besom, or fly away on it like witches. One of four large textile works in the US artist’s first UK show, Woven Stories, at the Holburne Museum in Bath, its companion pieces are somewhat less bucolic: suggestively mythic tableaux with hints of violent ritual.Talking to the artist via Zoom from his studio in Los Angeles, however, it becomes clear the tender scene is at most a moment of reprieve

‘The ghosts are everywhere’: can the British Museum survive its omni-crisis?

The British Museum is everybody’s idea of a museum, but at the same time, it is hardly like a museum at all. It is more like a little state. The rooms you visit on a day out are the least of it: the museum is not the contents of its display cases. It is an embassy, a university, a police station, a science lab, a customs house, a base for archaeological excavations, a place of asylum, a retail business, a publisher, a morgue, a detective agency. “We’re not a warehouse, [or] a mausoleum,” its chair, the UK’s former chancellor George Osborne, told guests at the museum’s annual trustees’ dinner in November

Tony Slattery obituary

Tony Slattery, who has died of a heart attack aged 65, showed his great talent for improvisational comedy on the Channel 4 show Whose Line Is It Anyway? He often appeared as one of the four performers creating characters, scenes and songs based on suggestions by its host, Clive Anderson, or the studio audience.“Whose Line is just four people and a couple of stools,” Slattery enthused. “It’s just a brilliantly simple idea. The audience love to see you thinking on your feet.”Those audiences warmed to Slattery’s outrageous patter